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////////////////////////////last updated: JULY.20.2026
/////////////////////contact: robinchyo(at)gmail(dot)com ////////////////////////copyright © robin-chyo.com 2026

During my time at HALO STUDIOS, I contributed to multiple projects, while also contributing ideas for how the aspects of the franchise’s art direction might evolve. I worked closely with the team’s 3D artists to help with the interpretation of the designs the concept team submitted.

The majority of my time went towards providing feedback/paintovers to the studio’s outsource partners for HALO: CAMPAIGN EVOLVED (2026). I also helped with marketing art and helped with creating style guides for internal/external usage.

I’m limited to how much of my artwork I can share at this time, as I don’t possess the files that I worked on. Hopefully I’ll be able to share more in the near future!

HALO: CAMPAIGN EVOLVED (2024-2026) - robin-chyo.com
HALO: CAMPAIGN EVOLVED (2024-2026) - robin-chyo.com
HALO: CAMPAIGN EVOLVED (2024-2026) - robin-chyo.com
I created this illustration of Master Chief and fellow UNSC Marines getting dropped off at the beginning of The Silent Cartographer. Secondary and tertiary element of this image were modified by the Halo Studios concept art team. - robin-chyo.com
I created this illustration of Master Chief and fellow UNSC Marines getting dropped off at the beginning of The Silent Cartographer. Secondary and tertiary element of this image were modified by the Halo Studios concept art team.
One of my first tasks was to give an updated visual treatment to the Forerunner tower that you enter in The Silent Cartographer. I went through a series of variations and created callouts/paintovers as I collaborated with John Flath (principal environment artist/Forerunner/Plasticity master). - robin-chyo.com
One of my first tasks was to give an updated visual treatment to the Forerunner tower that you enter in The Silent Cartographer. I went through a series of variations and created callouts/paintovers as I collaborated with John Flath (principal environment artist/Forerunner/Plasticity master).
I was also tasked with updating a lot of the interior of the aforementioned tower from The Silent Cartographer. This is one of many callouts that I provided for cinematic and gameplay use. - robin-chyo.com
I was also tasked with updating a lot of the interior of the aforementioned tower from The Silent Cartographer. This is one of many callouts that I provided for cinematic and gameplay use.
The engine room from The Maw received an updated look. I adapted some of the design directives that were given to the other parts of the Truth and Reconciliation ship, as that had been figured out earlier. We wanted to make the Engine Room look more industrial, but still have it fit in with the rest of the ship. I made concept models for the Engine Pistons. - robin-chyo.com
The engine room from The Maw received an updated look. I adapted some of the design directives that were given to the other parts of the Truth and Reconciliation ship, as that had been figured out earlier. We wanted to make the Engine Room look more industrial, but still have it fit in with the rest of the ship. I made concept models for the Engine Pistons.
Another view of the Engine Room after some of the assets I designed were proxied in. This view was mostly to help define the color-blocking for the rest of the room and also to help provide guidance for decals. - robin-chyo.com
Another view of the Engine Room after some of the assets I designed were proxied in. This view was mostly to help define the color-blocking for the rest of the room and also to help provide guidance for decals.
I had the fun opportunity to create an update design of the Orion suit for Sergeant Johnson. Like many other aspects of this project, it was a precarious balance of staying true to the original but also modernizing it. - robin-chyo.com
I had the fun opportunity to create an update design of the Orion suit for Sergeant Johnson. Like many other aspects of this project, it was a precarious balance of staying true to the original but also modernizing it.
These were Covenant buildings that I created for the bonus mission, The Most Dangerous Game built off of blockouts provided by the level design team. - robin-chyo.com
These were Covenant buildings that I created for the bonus mission, The Most Dangerous Game built off of blockouts provided by the level design team.
I created this illustration of Master Chief and fellow UNSC Marines getting dropped off at the beginning of The Silent Cartographer. Secondary and tertiary element of this image were modified by the Halo Studios concept art team. - robin-chyo.com
One of my first tasks was to give an updated visual treatment to the Forerunner tower that you enter in The Silent Cartographer. I went through a series of variations and created callouts/paintovers as I collaborated with John Flath (principal environment artist/Forerunner/Plasticity master). - robin-chyo.com
I was also tasked with updating a lot of the interior of the aforementioned tower from The Silent Cartographer. This is one of many callouts that I provided for cinematic and gameplay use. - robin-chyo.com
The engine room from The Maw received an updated look. I adapted some of the design directives that were given to the other parts of the Truth and Reconciliation ship, as that had been figured out earlier. We wanted to make the Engine Room look more industrial, but still have it fit in with the rest of the ship. I made concept models for the Engine Pistons. - robin-chyo.com
Another view of the Engine Room after some of the assets I designed were proxied in. This view was mostly to help define the color-blocking for the rest of the room and also to help provide guidance for decals. - robin-chyo.com
I had the fun opportunity to create an update design of the Orion suit for Sergeant Johnson. Like many other aspects of this project, it was a precarious balance of staying true to the original but also modernizing it. - robin-chyo.com
These were Covenant buildings that I created for the bonus mission, The Most Dangerous Game built off of blockouts provided by the level design team. - robin-chyo.com

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